Comments on: Heinrich Schütz’s “Slight Work” https://blog.magnificatbaroque.com/2009/02/01/heinrich-schutzs-slight-work/ a blog about the ensemble Magnificat and the art and culture of the 17th Century Wed, 04 Jan 2012 15:37:07 +0000 hourly 1 http://wordpress.org/?v=3.2.1 By: Euterpe https://blog.magnificatbaroque.com/2009/02/01/heinrich-schutzs-slight-work/comment-page-1/#comment-365 Euterpe Fri, 09 Apr 2010 16:05:28 +0000 http://magnificatmusic.wordpress.com/2009/02/01/heinrich-schutzs-slight-work/#comment-365 Thanks for this infos, they are very interesting! I love Schütz's music! For the Little Sacred Concertos and the Geistliche Chormusik I recommend the phantastic version of the Tölz Boys Choir: A Jewell! Thanks for this infos, they are very interesting! I love Schütz’s music! For the Little Sacred Concertos and the Geistliche Chormusik I recommend the phantastic version of the Tölz Boys Choir: A Jewell!

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By: Matthew Harris https://blog.magnificatbaroque.com/2009/02/01/heinrich-schutzs-slight-work/comment-page-1/#comment-221 Matthew Harris Mon, 15 Feb 2010 02:01:49 +0000 http://magnificatmusic.wordpress.com/2009/02/01/heinrich-schutzs-slight-work/#comment-221 Quite insightful, what a lot of effort it must have been to arrive at the authentic context. Reenactments of church services were also done at St. Jacobi in Hamburg by Professor Frederick K. Gable in the 1990s. How nice to see this kind of work on your part. Serious students of this stirring music will benefit from reading your blog post. Even after singing and studying the Exequien closely a number of times at funerals or in concert in Germany, this wider context is illuminating to say the least. Quite insightful, what a lot of effort it must have been to arrive at the authentic context. Reenactments of church services were also done at St. Jacobi in Hamburg by Professor Frederick K. Gable in the 1990s. How nice to see this kind of work on your part. Serious students of this stirring music will benefit from reading your blog post. Even after singing and studying the Exequien closely a number of times at funerals or in concert in Germany, this wider context is illuminating to say the least.

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