Home > L'Amfiparnaso > The Dell’Arte Company Brings Commedia to Life

The Dell’Arte Company Brings Commedia to Life

For our upcoming production of L’Amfiparnaso on March 18-20, Magnificat will be joined by Joseph Dieffenbacher, Emilia Sumelius-Beuscher and Stephen Buescher from the Dell’Arte Company based in Blue Lake in Humboldt County California. Dell’Arte International was founded by Carlo Mazzone-Clementi and Jane Hill in Berkeley in 1971 to bring the commedia tradition to the United States and to develop actor-creators through training in mime, mask, movement and ensemble creation.

A native of Padua, Mazzone was a childhood friend of sculptor Amleto Sartori, and Marcel Marceau’s first Italian partner. As Jacques Lecoq’s assistant for eight years during Lecoq’s Italian sojourn. Carlo was part of the nucleus of artists who reinvented the Italian theatre, commedia, and mask work after World War II in Italy. He came to the US in 1959 and introduced Sartori’s masks to America.

Commedia is the root form for the western actor and influenced actors, directors, playwrights and composers in Europe, Russia, Scandinavia and beyond. Through this form we investigate the human comedy. The hallmarks of commedia—articulate physicality combined with verbal wit; the art of improviso; the play of appetites in stock characters; the skill of ensemble playing—this is the great legacy to be investigated by every contemporary actor.

Over forty years, Dell’Arte International has been a center for the exploration, development, training and performance of the actor-creator. Its mission is to employ and revitalize the traditional physical theatre forms to explore contemporary concerns. Dell’Arte is made up of a professional touring company; a fulltime professional training school offering MFA and certificate programs; the annual summer Mad River Festival; a youth academy; and study abroad programs.

As one of a handful of rural professional ensemble theatres in the United States, Dell’Arte is internationally recognized for its unique contribution to American theatre via its non-urban point of view, its 40 year history of ensemble practice, its work to push the boundaries of physical theatre forms in professional productions, and its actor-training programs. Read More at the Dell’Arte website.

  1. No comments yet.
  1. No trackbacks yet.