Welcoming New Friends – Kiri Tollaksen, Jeffrey Fields and Mirko Guadagnini
For Magnificat’s performances of Monteverdi’s 1610 Vespers next week, we are pleased to welcome three musicians who will be appearing with us for the first time, cornettist Kiri Tollaksen, baritone Jeffrey Fields and tenor Mirko Guadagnini.
These performances will be Mirko Guadagnini‘s San Francisco debut but he is known to early music fans from his appearance in the title role of Monteverdi’s L’Orfeo on La Venexiana’s recording of Monteverdi’s opera, which received the 2008 Grammophone Award for Best Baroque Vocal.
In 2003 he sang for the opening of Teatro La Fenice in Venice with Caldara’s Te Deum led by Riccardo Muti and in 2004 he made his debut as Tamino in Die Zauberflöte at Teatro Politeama in Lecce, as Oronte in Händel’s Alcina by Händel at Teatro Verdi in Trieste, as Conte in Il Barbiere di Siviglia by Paisiello at Teatro La Fenice in Venice and as Cassio in Otello at Grand Théâtre de Genève. In 2005 he sang Nerone in L’incoronazione di Poppea at Opera de Lyon, conductor William Christie with Les Arts Florissants; in Händel’s Messiah in Florence with Orchestra della Toscana. Mirko made his debut at La Scala in Milan as Goffredo in Rinaldo by Händel, and debuted in the title role of Monteverdi’s L’Orfeo at Auditorium Verdi in Milan and at Auditorium Nacional de Madrid.
Kiri Tollaksen enjoys a varied career as a performer and teacher. Kiri has performed extensively throughout North America and Europe with numerous groups such as Apollo’s Fire, Piffaro, Philharmonia Baroque Orchestra, New York Collegium, Concerto Palatino, La Fenice, and Tafelmusik. Kiri is a founding member of the ensembles Anaphantasia and Chiaroscuro. As a professional trumpet player, Kiri performs with the River Raisin Ragtime Revue and freelances throughout Michigan.
In addition to being on faculty at the Early Music Institute at Indiana University, Kiri maintains a teaching studio in Ann Arbor, and has taught cornetto at the Amherst Early Music Festival. Kiri holds performing degrees in trumpet from Eastman, Yale, and a Doctorate in Musical Arts from the University of Michigan. She has recorded with the Huelgas Ensemble, Apollo’s Fire, Piffaro, La Fenice, The New York Collegium, La Gente d’Orfeo, the River Raisin Ragtime Revue and the Dodworth Saxhorn Band.
Jeffrey Fields has performed regularly throughout California in concert, oratorio and opera since moving to the Bay Area in 1999. In 1998, he was selected as an Adams Fellow at the Carmel Bach Festival and has had numerous solo appearances there since; he will sing the Monteverdi Vespers at this summer’s festival. He also sings regularly with Philharmonia Baroque Orchestra and American Bach Soloists.
Jeffrey made his Carnegie Hall debut in Handel’s Messiah in December 2007. Recent and current engagements include Dvorak’s Stabat Mater in Berkeley, Handel’s Alexander’s Feast at UC Davis under Jeffrey Thomas, Brahms’ Requiem in Palo Alto, San Francisco and Berkeley, Mozart’s Requiem with the Marin Symphony, Orff’s Carmina Burana at Stanford, Handel’s Samson with the Philharmonia Baroque Orchestra, Acis and Galatea (Polyphemus) with Berkeley Opera, the title role in Mendelssohn’s Elijah with Marin Oratorio, Mendelssohn’s St. Paul in Berkeley, Bach’s St. Matthew Passion at the Carmel Bach Festival and the Bach Society of St. Louis, the Requiems of Faure and Durufle, Haydn’s Creation in Los Angeles and Carmel, and Bach’s B Minor Mass with the San Francisco Bach Choir. Jeff was a three-time winner of the NATS Central Region auditions. His wide repertoire includes Marcello in Puccini’s La Boheme, Papageno in Mozart’s Die Zauberflote, and King Herod in Massenet’s Herodiade, as well as a broad spectrum of concert works, oratorios and art song.