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Puppets and Gender Bending in the Baroque Style: San Francisco Classical Voice Previews Magnificat

Lisa Hirsch of Iron Tongue of Midnight wrote the following preview of Magnificat’s upcoming production of Francesca Caccini’s La Liberazione di Ruggiero for San Francisco Classical Voice.

And that’s just what you can see next month when Magnificat Baroque, in collaboration with the Carter Family Marionettes, presents Francesca Caccini’s La liberazione di Ruggiero dall’Isola d’Alcina (The Liberation of Ruggiero from the island of Alcina) on Oct. 16, 17, and 18 in three venues.

In La liberazione, the wicked sorceress Alcina seduces the warrior Ruggiero, who dwells happily on Alcina’s island until finally the good sorceress Melissa shames him into returning to battle — and, incidentally, to his fiancée, the warrior maiden Bradamante. The plot comes from an episode in the epic Renaissance poem Orlando Furioso, by Ariosto, which is in turn based on the medieval French poem The Song of Roland.

That’s where the puppets come in.

The Carter Family Marionettes, who are providing the staging for La liberazione, perform in the Sicilian opera dei pupi tradition, a style that flourished in the 19th century, but that stretches back for centuries. Their puppets are large, and the puppeteers control them with iron rods. The entire repertory of opera dei pupi plays comes from The Song of Roland, so the puppets are a natural pairing with La liberazione.

“I’m especially excited to be working with the Carter Family again,” Magnificat Director Warren Stewart told SFCV. “We did some shows together in the 1990s, and they were tremendous fun. Hardly a concert has gone by since then when an audience member hasn’t come up to me to ask when we’ll do another puppet show. The Carters are great at connecting with the audience and already had a very funny and engaging production of La liberazione in their repertory.”

Read the Entire Preview

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