Magnificat Looking Forward to the Return of the Puppets
On the weekend of October 16-18, 2009, Magnificat will join forces with The Carter Family Marionettes in a production first mounted in Seattle in 2007. Below is a review of that production from the Seattle Post Intelligencer. We look forward to working with the Stephen and Chris Carter and their troupe of wooden friends!
Marionettes Make Fine Work of Italian Opera
by Phillipa Kiraly (originally posted on April 22, 2007 at the Seattle Post Intelligencer)
Kudos to the Northwest Puppet Center for doing it yet again: opera in miniature with all the trimmings. On Friday night, “The Liberation of Ruggiero from the Island of Alcina,” by Francesca Caccini, opened at the center with five singers, four musicians, more than 30 puppets and a wave machine.
“Ruggiero” was one of the earliest operas, written in 1625; the first written by a woman — Caccini was a younger contemporary of composer Claudio Monteverdi; and the first to be presented outside Italy — in Poland in 1628.
Like many Baroque operas, it was originally presented full size on a lavish scale with complicated stage machinery and effects, and the story is a legend complete with sorcery, battles, gods, animals and talking trees.
Northwest Puppet Center’s production includes a dragon that blasts smoke, dancing fish and seahorses, a sea creature spewing forth the character Pulcinella, a goddess flying in on a griffin and a sheep that, well, I’m not giving away what it does.