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Berkeley Festival Triumph

Congratulations to the Berkeley Festival and to Maestro Davitt Moroney for two magnficent performances of Alessandro Striggio’s monumental Missa sopra ‘Ecco sì beato giorno’, in cinque corri divisa, in 40 and 60 parts.

All those participating – The Philharmonia Baroque Chorale, American Bach Soloists Choir, Schola Cantorum San Francisco, The Perfect Fifth, and His Majesties Sagbutts and Cornetts and the other instrumentalists – performed beautifully, though I was, of course, most aware of Magnificat. It was an unusual experience for me to sit idly in the audience while my colleagues participated in this glorious production. But at the same time it gave me the opportunity to appreciate what a tremendous honor and privilege it is to have worked with these friends – in some cases for over a decade – and to look forward to many more concerts together.

So, to Ruth Escher, Kristen Dubenion-Smith, Christopher LeCluyse, Hugh Davies, Jennifer Paulino, Elizabeth Anker, Daniel Hutchings, and Peter Becker: Bravo Tutti!

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